In contrast to my productivity with TOO articles in years past, I sat on this photo essay for nearly a year, weighed down by two things. First, other worthy writers have aptly addressed this obvious trend — and being so obvious, it seemed unnecessary to repeat. Second, this is an unusually depressing reality with which we are facing, and Lord knows we on the Dissident Right have been producing copious amounts of depressing written and spoken words for decades, further demoralizing ourselves and giving succor to our racial enemies. Because I’m as guilty of that as any other writer, I was reluctant to continue in the same vein. In the end, however, I felt the mendacious narrative must be shown.
Thus far, I’ve assumed TOO readers have been in agreement with me about the larger interpretation of Jewish power, but I’m not sure how widespread is the conclusion that an important change in Jewish-Gentile relations came about after WWII. On the whole, I concur with Ryckaert’s assertions here:
Because it was mostly European countries that expelled them, the Jews came to consider Europeans as their greatest enemies.
After WWII and the intense Holocaust propaganda it brought in its wake … the organized Jewish community became convinced that Europeans were a threat to them as a race and that they should therefore be neutralized as a race; in other words, that GENOCIDE of the European people, now better known as “White genocide”, would be the “final solution” to the European problem.
But how could a small ethnic group of only 15 million people like the Jews exterminate ONE BILLION people of European descent spread out all over the world ? The Jews came to the conclusion that it would be possible to neutralize Europeans racially, not by physically exterminating them, but by causing them to mix with other races, thus losing their racial characteristics for good….
The real purpose of these productions is not to sell goods or to entertain, but to promote the inglorious end of the white race through miscegenation, dispossession and race war.
Two More Images from Ryckaert’s Essay:
In addition to Ryckaert’s essay, there are many other sources addressing this trend. Years ago, I remember a flurry of articles about how the advertising industry worked so hard to picture mixed couples — and the articles went on to show that advertising in North America and Europe was overwhelmingly a Jewish preserve. That knowledge is so common that I won’t even bother to cite it here.
More recently, we still find accounts of how miscegenation is portrayed in advertising. Take this truly despicable image for example:
How old is this girl? Fifteen? She can’t be his daughter. One is left to think that he is preying on her shamelessly. One can only imagine what kind of father she has (if any).
Another example comes with Thomas Goodrich, writing on the National Vanguardsite, who correctly puts this image into context, explaining that “Jewish enablers have been pushing White genocide via replacement with hordes of darks flooding the Euro nations of earth. Now, while this program has been in place since the end of WWII, Jews are currently ramping up their attacks against Whites in advertising. Just as with population replacement, the end game of Jewish advertising is also nothing less than our extermination.”
The same photo is also used by a liberal source, “Inside the Biracial Advertising Boom” to celebrate the direction White nations are taking. While the writer is too stupid to understand the long-term implications of this practice, we White Nationalists can still learn what these advertising images are really peddling.
For a more in-depth treatment of this unwelcome trend, see Richard Houck’s 4,000-word article, “The War Against Whites in Advertising.” He begins by writing:
The mass-marketing of interracial relationships, particularly white women with black men, has become so ubiquitous and so militant, even the least observant members of our culture have begun to notice. Walking through a mall recently I noticed three large marketing images of couples in three different stores. Two of the three were interracial couples, depicting a white woman and black man; the third couple was white. Perhaps what struck me as most peculiar was the fact that the city where I was shopping, whites make up about 97% of the population, blacks are less than 2%.
Methodically, Houck lays out the case against White women breeding with Blacks.
Currently, 70% of black children are born out of wedlock, however when the mother is white and the father black, the rate jumps to 97%. 98% of white mothers studied reported the father does not support their children financially, 97% report the father is not in the child’s life, and 97% of the women have used welfare to help support themselves and their children. Only 10% of women that have children with black men out of wedlock end up marrying. … White women are displayed with non-white men not to sell items, but as a tactic of psychological warfare against our civilization.
And Houck shows that he sees the Jews behind this genocidal campaign and what their aim is. Here, contemplate this “ad,” then realize it was created out of pure hate for Whites:
(Since only about nine people under the age of forty are ever going to read more than a few paragraphs of anything, direct them to this more visual video format of Houck’s work. This will surely shake things up around the clan dinner table at Thanksgiving and Christmas.)
This expose was so good that readers of the article offered further examples and clamored for more documentation of the literal war on the White race. You can find the results in Houck’s follow-up article (with video) here. This “War on Whites in Advertising: A Follow-Up” is also extremely well done, though highly disturbing — and infuriating, opening as it does with this vile image from an advertising video:
This turned out to be one of the rare cases where a completed ad was rejected for public consumption, but the point is, someone thought it important enough to do. In his research into the ad, Houck found that the ad “depicts a white, blonde woman on her knees in front of a black man, and we hear her thinking, ‘I could really go for a Sprite right now’ as she performs oral sex on him, and at the end she has Sprite foam sprayed all over her face while she thinks, ‘I love Sprite!’”
Not at all to my surprise, I found a Usual Suspect behind this ad. As Houck writes, this ad “goes much deeper into the woods. The Huffington Post article that discussed the ad mentioned that the name of the producer and director was Max Isaacson . . . Isaacson? Interesting last name.”
Even though no network picked up this race-mixing video, it still had a considerable impact, as Houck shows. “This particular spec ad hit over a million views within days after first being published online, and has since been viewed millions more times as it has been re-uploaded and shared on social media and Websites.”
From Race Mixing to Race Nixing
Images of racial mixing are one thing, but my true emphasis here is on the next stage: full-on replacement of White males (and I need only point out briefly that once actual White males have been eliminated in the real world, White women will surely follow them into oblivion in a generation).
White males, as noted, are symbolically eliminated when statues of White men are removed or destroyed, as they have been since the 2017 protests over such statues in Charlottesville, Virginia. Long before that, however, we had to deal with universities routinely downgrading creations of White males and replacing them with the concoctions of women and non-Whites, you know, “The Eternally Oppressed,” resulting in removal of “Dead White Males” from university canons. Even before that, we had the tremendous power of the American government itself hobbling millions of White males in their honest quest to compete fairly for careers and employment, despite the fact they had personally committed no crimes or infractions themselves other than being White. Out with the old, in with the new, I guess is the general shallow thinking.
I’ve grown up with this over the decades, and, as mentioned, have studied the trends in depth. Still, beginning late last year (2019), I was stunned at the audacity of our advertising image creators to take the blatant step of doing away with White males altogether. Poof! Gone. And this was well before the anti-White riots ramped up in late May upon the death of George Floyd, immediately anointed a SAINT by the liberal media.
There is no way — ever — that I am going to believe that this was a coincidence. No, it was far too meticulously coordinated to be that. For advertisements without White males to be scripted and created takes time, meaning this was done in early 2019 at the latest. Then came the spring and summer riots enabled by You-Know-Who.
Part of this coordinated visual assault was superbly chronicled right here on TOO this summer, with Jack Antonio’s article “Fade to Black,” the subtitle of which reads, “The darkening of our screens and stages and its part in the theft of our past and future.” Written by a White male with a front-row seat to the systemic displacement of White males, it is an absolute must-read for the TOO audience, our relatives, friends and neighbors. While mostly writing about the British stage, this actor could just as easily be describing the scene in America.
Not Wakanda but Merrie Olde England
Based on his long experience, Antonio can confidently write that “I know the world of advertising and show business. And I know how, why, and (((by whom))) our screens are being darkened, I am being denied work, and our past and future are being stolen from us” [lovely parentheses added].
Antonio ends his article on the replacement of White males with this: “If you don’t believe me, just go to a movie or play. Turn on your radio or TV. Or, just open your eyes. It’s happening. It isn’t a sitcom or movie. It’s real. It’s deliberate.” But of course it is.
Trust Your Eyes
Now that I’ve set the stage, so to speak, I’ll commence with images from ads over the last year. I didn’t have to look for them; instead, they all came up on my screen through the normal use of my computer. You know, check your bank balance, your car insurance premiums, your healthcare provider — across the board the following are pictures I’ve seen every single time I fire up the computer, tablet or iPhone. An e-mail message arrives from the airline I use, and the pampered passenger is a black man. Or all the promotions offered this week from my supermarket feature non-Whites and women. It is pervasive. Go check ads from any big corporation. Like clockwork, all their ads show blacks, women, browns — but no White men. You know this is true because you’ve experienced this month after month — after month. Admit it.
Like Mr. Antonio, I know what is happening, why and how. This could come straight from the pages of Jacques Ellul’s classic “Propaganda: The Formation of Men’s Attitudes.” One of Ellul’s greatest insights concerns the need for repetition of the propaganda message. At first, it takes great effort to sway men from their set thinking, but, in Ellul’s words,
once the individual has been filled with and reshaped by propaganda, the smallest dose now suffices. It is enough to ‘refresh,’ to give a ‘booster shot,’ to repaint, and the individual behaves in striking fashion — like certain drunks who become intoxicated on one glass of wine. The individual no longer offers any resistance to propaganda; moreover, he has ceased to believe in it consciously. He no longer attaches importance to what it says, to its proclaimed objectives, but he acts according to the proper stimuli. The individual is arrested and crystallized with regard to his thinking.
Perhaps, on second thought, this quote is not exactly what I wanted, for I am no longer talking about “booster shots”; instead I am talking about non-stop salvos from hundreds of siege guns. The fact remains, however, men’s — and importantly now, women’s — minds have been formed by this media onslaught. And with that, I offer an endless display of the world an American now sees on the computer or other screen.